Thoughts of a String Educator
Monday, November 2, 2009
Movement 2 of the Chadwick Serenade, NCSSM Orchestra
Here is the 2nd Movement of the Chadwick Serenade for Strings. This perfomance was October 31, 2009 at NCSSM. Enjoy!
Sunday, November 1, 2009
Serenade in F for String Orchestra, Mvt. 1, Allegro Grazioso, George Whitefield Chadwick
This is the first movement of the Chadwick Serenade in F for String Orchestra as performed by the NCSSM Strings on October 31, 2009. More to come soon!
Saturday, October 24, 2009
NCSSM Fine Arts Series Kicks Off!
On Friday, October 23, 2009, the NCSSM Fine Arts Series kicked off for the current year. The evening was a great success. It started off with the opening of the Olivia Gatewood Art Exhibit in the NCSSM ETC. This exhibit is a magnificent collection of art by this North Carolina artist. She generously donated one of her images to serve as the "cover" for all 2009-2010 Fine Arts Series Events. We had a wonderful crowd for this and it was enjoyed by all. The exhibit will remain on display in the ETC through December 18. As part of the opening, the NCSSM Flute Quartet performed and they were magnificent.
This was also a great opprtunity for the public to see the wonderful exhibit of Optical Toys at NCSSM. You can learn more about this exhibit at the exhibit website.
Following the opening, the NCSSM Drama Board presented its first production of the year, Cyrano de Bergerac. The show was magnificent and the audience loved the production. Director Adam Sampieri had nothing but great things to say about the ensemble and their fabulous work in preparing for the show. Cyrano will run for 2 more shows. Tonight at 7:00 and Sunday, 10/25 at 3:00 PM.
The series could not have gotten off to a better start and we are so pleased that last nights events were so well attended. We hope to see one of you at future NCSSM Fine Arts Series Events!!
Friday, October 9, 2009
Play to Our Strengths
This morning I am mindful that we all have our strengths in our life and work and we should certainly attempt to utilize them in the best way possible.
For the past 5 days, my wife has been out of town. This has necessitated that I take on the role and responsibilities that two of us normally cover. For those of you that don't know me, I have 3 sons, ages 12, 9, and 7 who are all involved in school, sports, music, and a variety of other activities and I, obviously, have a very busy schedule at the NC School of Science and Math. So, this week has bee a good opportunity for me to experience the work that my wife does every day and has been a stark reminder of the lifestyle that so many single parents lead on a daily basis.
I definitely made it though this test without too many failures. I am pleased with the fact that my kids made to all of their practices, games, and activities. They had lunch every day. Their homework was completed and signed each evening. They were fed, dressed, and generally cared for and I, while exhausted, also survived. But, I must admit, I am really spent. I can't imagine having to carry on this pace for longer that the week or so that it has lasted.
So, here is the over-riding thought that lingers this morning. I got everything accomplished, but did I do any of the tasks to the best of my ability? I am not sure that I can make that claim. I am sure that my classes at NCSSM suffered to some extent. My planning and thought time was significantly reduced this week. I didn't have time for many of the important roles that I play for my students outside of class. I cut meetings short, ran from one commitment to another, and put off ideas and new concepts that have shaped my teaching and work over the years. I didn't throw a ball with my boys. I didn't even practice music with my kids in the evenings this week. These are generally my strengths. These are the things that make me good at teaching and parenting. I am generally very "present" in the work that I do. I am not sure that happened this week. I was too overwhelmed with the multitude of tasks that had to be accomplished to simply keep the wheels turning.
Isn't life better when we have the time to do the things that we are truly good at? And, when we identify those roles and strengths, we should work to keep them at the top of our priority list. And, we should certainly work to be truly "present" in all that we do. I sometimes joke that in my two previous teaching positions, I stayed until I just got so busy that I had to "run away" to simply find some space in my life. That is not really true, but it sometimes seems that way.
I teach and work within a community of people that want to achieve. We are all in the same boat - teachers and students. We work hard and passionately. We all have lofty and ambitious goals and we are willing to make large sacrifices to achieve those goals. It is the way our school is designed. So, today, I encourage you to think about the way you are spending your days. Are you playing to your strengths? Are you able to spend your time on your true mission and strengths? Or, are you spread too thin? I realize that we all have seasons in our lives, too. Sometimes we find ourselves in seasons of business. That is certainly unavoidable. But, it is so important to feel that we are doing our best at our various tasks.
I am fortunate to be on the other side of "too busy" this morning. Oh yes, I have a busy day ahead, but it is all on the right stuff: orchestra rehearsal, advisee meetings, recording music for students to access on my course management site, music lessons, administering my program at NCSSM. Then, this evening, Barbra and I will focus on our kids. Together. The way it ought to be.
I hope you have the opportunity to do your best at the things that occupy your time today as well.
Peace.
Scott
For the past 5 days, my wife has been out of town. This has necessitated that I take on the role and responsibilities that two of us normally cover. For those of you that don't know me, I have 3 sons, ages 12, 9, and 7 who are all involved in school, sports, music, and a variety of other activities and I, obviously, have a very busy schedule at the NC School of Science and Math. So, this week has bee a good opportunity for me to experience the work that my wife does every day and has been a stark reminder of the lifestyle that so many single parents lead on a daily basis.
I definitely made it though this test without too many failures. I am pleased with the fact that my kids made to all of their practices, games, and activities. They had lunch every day. Their homework was completed and signed each evening. They were fed, dressed, and generally cared for and I, while exhausted, also survived. But, I must admit, I am really spent. I can't imagine having to carry on this pace for longer that the week or so that it has lasted.
So, here is the over-riding thought that lingers this morning. I got everything accomplished, but did I do any of the tasks to the best of my ability? I am not sure that I can make that claim. I am sure that my classes at NCSSM suffered to some extent. My planning and thought time was significantly reduced this week. I didn't have time for many of the important roles that I play for my students outside of class. I cut meetings short, ran from one commitment to another, and put off ideas and new concepts that have shaped my teaching and work over the years. I didn't throw a ball with my boys. I didn't even practice music with my kids in the evenings this week. These are generally my strengths. These are the things that make me good at teaching and parenting. I am generally very "present" in the work that I do. I am not sure that happened this week. I was too overwhelmed with the multitude of tasks that had to be accomplished to simply keep the wheels turning.
Isn't life better when we have the time to do the things that we are truly good at? And, when we identify those roles and strengths, we should work to keep them at the top of our priority list. And, we should certainly work to be truly "present" in all that we do. I sometimes joke that in my two previous teaching positions, I stayed until I just got so busy that I had to "run away" to simply find some space in my life. That is not really true, but it sometimes seems that way.
I teach and work within a community of people that want to achieve. We are all in the same boat - teachers and students. We work hard and passionately. We all have lofty and ambitious goals and we are willing to make large sacrifices to achieve those goals. It is the way our school is designed. So, today, I encourage you to think about the way you are spending your days. Are you playing to your strengths? Are you able to spend your time on your true mission and strengths? Or, are you spread too thin? I realize that we all have seasons in our lives, too. Sometimes we find ourselves in seasons of business. That is certainly unavoidable. But, it is so important to feel that we are doing our best at our various tasks.
I am fortunate to be on the other side of "too busy" this morning. Oh yes, I have a busy day ahead, but it is all on the right stuff: orchestra rehearsal, advisee meetings, recording music for students to access on my course management site, music lessons, administering my program at NCSSM. Then, this evening, Barbra and I will focus on our kids. Together. The way it ought to be.
I hope you have the opportunity to do your best at the things that occupy your time today as well.
Peace.
Scott
Sunday, October 4, 2009
Thursday, October 1, 2009
Just Solve the Equation Once
Hi all. Today, I want to share some thoughts about playing in an ensemble. Specifically, playing in an orchestra. I think that this also goes to the art of teaching students to play in an orchestra. I have been thinking a fair amount lately about my students and their approach to orchestra. Actually, I don't think that this is limited to my orchestra. In fact, I am pretty sure that this concept applies to most, if not all, student groups. I have noticed it at every level of high school player - from the average school orchestra, to the all-state level.
Yesterday, I was running an orchestra rehearsal and was giving fingerings to the violin section for a particularly challenging section. As we came to a similar section, I asked the kids if anyone had marked in their fingerings. Out of 19 first violinists, only 1 stand (2 players) had done this. And it compelled me to say that we should only have to figure out an equation 1 time. Once we have "figured out" the correct way to finger a passage, we don't want to have to figure it out again. We simply want to act - to play. Unfortunately, if a musician doesn't write specific notes in their part and they walk away for the piece for a day or more, they will have to figure out the passage again.
It is a lot like multiplication. When we are learning to multiply, we may have to figure out an equation. 6 * 5 = 30. We all know this now. But, when we first learn to do this equation, we probably have to do the addition: 6+6+6+6+6=30. After a while, though, we just know it. 6 * 5 = 30. Fingering on a string instrument is like this in many ways. When students first learn to play in 3rd position, they will probably have to put numerous fingerings and notes in their music. After a period of time, they learn the "language" of 3rd position and the notes are no longer necessary.
In more difficult literature, it is necessary to put well-placed fingerings and notes into a part when the music is too difficult to simply "read" each time it is played or practiced. For that reason, students are encouraged to have a pencil in class and to write in their parts. Oddly, though, this is not a natural thing for my students to do. They wait for me to tell them specifically what to write. This simply is not good enough. Musicians must be constantly solving the equations that are in the music and taking notes on their thoughts in order to be effective participants and members of the ensemble.
As a teacher, I have noticed that my students really want to gain the insights that I offer during class. They are fine musicians and extremely bright students. They are enthusiastic and receptive to my instruction virtually every minute of every class. I'll bet your students are similar. (I know that lots of teachers don't enjoy that same attention, but that is my experience at NCSSM.) So, what is the roadblock to effectively solving the equation just once? I think it is two-fold.
First, we need to encourage or even force our students to be musicians. They need to be scientists in science class. Be mathematicians in math class. Be writers in English class. You get the point. It is not enough to be a music student in an orchestra. You have to be a musician. You have to think like a musician, feel like a musician, listen like a musician, count like a musician, BE a musician. Too often, I think that we expect our students to be music students, not musicians. But, how do we get them to do this?
We have to teach them how a musician thinks. We have to teach them HOW a musician counts, how a musician listens, how a musician moves, how a musician feels. I think that too often, we get so caught up in the facts ("make that C sharp higher, hold your bow this way, etc.) that we forget to teach the thought process. Sometimes, we also (and I am guilty of this) we deal with the emotional aspect of the music much too early in the process of learning a piece. Ultimately, before we have effectively taught them how to think the piece. Really, I am concerned that it happens in many, if not all classes. This came up in rehearsal recently when we were doing a passage that called for triplets against a duple eighth note figure. I asked the kids what they should be thinking as they approach the passage. No one could answer. They kind of knew how to play it, but no one knew what to think. So, we spent some time on the thought process and the passage cleaned up really nicely. Following the discussion, I asked the kids what they had written in their part. No one had written anything. We had just broken down again. For once we moved away from that passage and came back to it, no one (or at least not many) would have retained that information. They would have to solve the "equation" of that passage again. That is not how an orchestral musician works. We only want to solve the problem one time.
I really wonder how much instructional time in the American education system is lost to re-solving equations. Or maybe the question could be more accurately asked, "How much time could we save in the American educational system if we taught students to solve equayions only once across all disciplines?"
I had an interesting conversation with my good friend and Drama Instructor at my school about this topic. He expressed a similar frustration with students that take minimal notes during the blocking of a scene. They have to re-solve the equation of blocking at the next rehearsal, and the next, and the next. Thus, never getting to the real business of acting. I have a hunch that every teacher could find a similar scenario.
So, my goal for this year is to teach my students how to THINK like a musician. I want them to only solve problems one time. Once it is solved, let's move on to the next problem. Or, better yet, lets solve the equations and move on to the business of moving people with music. The reality is that we have to solve the equations first. We just don't need to solve them over and over.
That is where my head is today. I am sure there will be more on this topic as we move forward.
Peace.
Scott
Yesterday, I was running an orchestra rehearsal and was giving fingerings to the violin section for a particularly challenging section. As we came to a similar section, I asked the kids if anyone had marked in their fingerings. Out of 19 first violinists, only 1 stand (2 players) had done this. And it compelled me to say that we should only have to figure out an equation 1 time. Once we have "figured out" the correct way to finger a passage, we don't want to have to figure it out again. We simply want to act - to play. Unfortunately, if a musician doesn't write specific notes in their part and they walk away for the piece for a day or more, they will have to figure out the passage again.
It is a lot like multiplication. When we are learning to multiply, we may have to figure out an equation. 6 * 5 = 30. We all know this now. But, when we first learn to do this equation, we probably have to do the addition: 6+6+6+6+6=30. After a while, though, we just know it. 6 * 5 = 30. Fingering on a string instrument is like this in many ways. When students first learn to play in 3rd position, they will probably have to put numerous fingerings and notes in their music. After a period of time, they learn the "language" of 3rd position and the notes are no longer necessary.
In more difficult literature, it is necessary to put well-placed fingerings and notes into a part when the music is too difficult to simply "read" each time it is played or practiced. For that reason, students are encouraged to have a pencil in class and to write in their parts. Oddly, though, this is not a natural thing for my students to do. They wait for me to tell them specifically what to write. This simply is not good enough. Musicians must be constantly solving the equations that are in the music and taking notes on their thoughts in order to be effective participants and members of the ensemble.
As a teacher, I have noticed that my students really want to gain the insights that I offer during class. They are fine musicians and extremely bright students. They are enthusiastic and receptive to my instruction virtually every minute of every class. I'll bet your students are similar. (I know that lots of teachers don't enjoy that same attention, but that is my experience at NCSSM.) So, what is the roadblock to effectively solving the equation just once? I think it is two-fold.
First, we need to encourage or even force our students to be musicians. They need to be scientists in science class. Be mathematicians in math class. Be writers in English class. You get the point. It is not enough to be a music student in an orchestra. You have to be a musician. You have to think like a musician, feel like a musician, listen like a musician, count like a musician, BE a musician. Too often, I think that we expect our students to be music students, not musicians. But, how do we get them to do this?
We have to teach them how a musician thinks. We have to teach them HOW a musician counts, how a musician listens, how a musician moves, how a musician feels. I think that too often, we get so caught up in the facts ("make that C sharp higher, hold your bow this way, etc.) that we forget to teach the thought process. Sometimes, we also (and I am guilty of this) we deal with the emotional aspect of the music much too early in the process of learning a piece. Ultimately, before we have effectively taught them how to think the piece. Really, I am concerned that it happens in many, if not all classes. This came up in rehearsal recently when we were doing a passage that called for triplets against a duple eighth note figure. I asked the kids what they should be thinking as they approach the passage. No one could answer. They kind of knew how to play it, but no one knew what to think. So, we spent some time on the thought process and the passage cleaned up really nicely. Following the discussion, I asked the kids what they had written in their part. No one had written anything. We had just broken down again. For once we moved away from that passage and came back to it, no one (or at least not many) would have retained that information. They would have to solve the "equation" of that passage again. That is not how an orchestral musician works. We only want to solve the problem one time.
I really wonder how much instructional time in the American education system is lost to re-solving equations. Or maybe the question could be more accurately asked, "How much time could we save in the American educational system if we taught students to solve equayions only once across all disciplines?"
I had an interesting conversation with my good friend and Drama Instructor at my school about this topic. He expressed a similar frustration with students that take minimal notes during the blocking of a scene. They have to re-solve the equation of blocking at the next rehearsal, and the next, and the next. Thus, never getting to the real business of acting. I have a hunch that every teacher could find a similar scenario.
So, my goal for this year is to teach my students how to THINK like a musician. I want them to only solve problems one time. Once it is solved, let's move on to the next problem. Or, better yet, lets solve the equations and move on to the business of moving people with music. The reality is that we have to solve the equations first. We just don't need to solve them over and over.
That is where my head is today. I am sure there will be more on this topic as we move forward.
Peace.
Scott
Wednesday, September 23, 2009
Trip to D'Addario in Farmingdale
Hey everyone!
I am sorry it has been so long since my last post. I have been swamped with the organizational details of my Charity Bike Ride for the National MS Society, "Tour de Teacher" in Durham, NC. The event was a huge success and I will post more info about that event in the days to come.
Today, however, I want to tell you a bit about my recent trip to the D'Addario factory and headquarters in Farmingdale, NY. I headed up there with three goals for the trip: film a bunch of video content for the D'Addario website, take photos for a new set of classroom posters, and serve as guest speaker for the Nassau County Music Educators beginning of year dinner.
We definitely accomplished all of our goals while there. We managed to film a ton of educational videos on both bowed electric string instruments and effects processing and more traditional violin pedagogy that should be helpful to students and teachers, alike. We also got a great start of the photos for these posters. One will be focusing on bow hold and bowing terms and the other will be a fun look at the "Geometry of playing the violin." Finally, the dinner was a wonderful event and it was a pleasure to meet the good folks that are teaching music in Nassau County , Long Island. I was particularly please to meet Martha Boonshaft, wife of Hoffstra Music Professor, noted speaker in the field of Music Ed., and friend, Peter Boonshaft. I think my remarks were well-received and it was a real pleasure to be there.
All of that being said, the part of my trip that will probably remain with me the longest had nothing to do with any of my goals for going. My friend and host, Rob Polan, gave me an extensive tour of the facility and it was really enlightening. First of all, I was struck by the sheer number of employees at D'Addario. Sure, there were business offices like any office building. But it was the folks on the manufacturing line that really struck me. In a down economy, this group was moving fast. They were clearly happy and motivated, pleased to be working for a wonderful employer that cares about quality, efficiency, and the employees. I was struck by the level of artisanship of the ladies that were "silking" the violin strings. (Yes - it is done by hand, folks!) I was struck by the skill and speed of the people running the string winding machines, sometimes creating 3 strings simultaneously. The engineering and efficiency of the plant is simply stunning. (For my students that are considering engineering as a career, this should be a required tour. It was fantastic to see these machines that are made, right there in the plant, to suit the specific needs of the individual products. It was simply stunning from start to finish. I was struck by the number of people that were working, the volume of strings being produced, the high tech engineering that went into the production, and the general spirit of the workforce. Very cool. It made me totally proud to be associated with the D'Addario Company and I appreciate them in an entirely new way today. I have always been proud to be associated with the strings. Now, I am equally proud to be associated with the business model from top to bottom.
One thing that Rob pointed out during the tour is that D'Addario is always looking to be more efficient and has recently adopted a model called "Lean Manufacturing." The idea is that you carefully explore the efficiency of movement on the floor of the manufacturing facility and place workers and machines in the optimum environment for efficient work-flow. I couldn't help but to think that the education community has to do a bit of that, too. We really need to rethink the way that we are delivering information to our students. Are we really using our class-time efficiently? Is the old classroom model still the best classroom model for education as we move further into the 21st century. I truly believe that we must increase of efficiency of content delivery in our classroom. Which, brings me around to one of my original goals for the trip: video content for the web. D'Addario's goal is to provide video content on their website that will make string education more efficient. Students can go to the web to get solid string instruction and content. Then, when they go to school, the teacher can focus on the students individual needs. The teacher becomes the tutor, mentoring the students, rather than repeating content that can be efficiently delivered on the web. Will video content ever replace the teacher? Certainly not. But, when effectively used, teachers can focus on the true task at hand, the individual needs of the student, not repeated content delivery. For more information on this concept, I recommend that you check out an enlightening book about efficiency of content delivery in the 21st century entitled "Disrupting Class," by Clayton Christensen.
For now, thanks to all of the good folks at D'Addario for making me feel so at home for the past 2 days.
I am sure there will be much more to come on this topic.
Peace.
Scott
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