Mini-term Journal Entries 2012

The following are journal entries from my students on the various concerts and events that occurred as part of Mini-term 2012.
Our schedule was as follows:

Friday, Feb 24-Sunday, Feb 26
Eastern Regional Orchestra hosted by NCSSM. There were 17 student participants from NCSSM.

Today was a pretty tiring full day of rehearsal, 9am – 9pm with breaks for meals. We had seating auditions during sectionals. I ended up with 19th chair, but Connor and I made a deal that whoever got the higher chair would join the lower chair so we could be stand partners. My stand partner moved up to take his seat and we shared the 10th stand together. Dr. MacLeod made a point of discussing seating with us and told us that she didn’t care where we sat; we were still a part of the orchestra and playing the same music as everyone else in the section. She encouraged us to lead from the back, which is what Mr. Laird tells us to do all the time. Dr. MacLeod also made a comparison with math class: does it make sense for everyone to take a test and then put the people who scored the lowest in the back? I’ve always wondered if seating auditions are completely based on how well we play, or if they also take our grade level into account, since seniors won’t be able to go to Honors in the fall.

Monday, Feb 27
UNC Greensboro School of Music, 3 concert offerings
Voice recital, Viola Recital at 5:30, Saxophone recital at 7:30
What else can I say but “wow?” I thoroughly enjoyed both recitals more than I had expected to. The voice recital was very interesting because it included two African American students. I did not expect that at all! Often times, when I think of music majors I think of people similar to myself, but being at the recital made me realize that music is spread across every race, culture, and country out there. It makes me feel so happy to be a member of the music community. The saxophone recital left me speechless. The guy who performed seemed to be a bit shy, but he turned out to be the most fantastic saxophone player I have ever heard. His techniques were masterful and amazing, and it was an absolute joy to hear music from his home country of Turkey. I also really liked the first piece “Balafon” because of how interesting his playing was and how the clicking of his keys added an almost percussion-like feature to the piece. I could definitely tell he enjoyed performing and that he still has deep emotional ties to his birthplace. I was sitting next to who seemed to be his father, and it was great to see the connection he also shared with his son as the musician.

and

Tonight we drove to UNC Greensboro and listened to two concerts: Gisel Wichem on the viola and a saxophone recital. The recitals were both in the same hall in the music building. I thought the hall was nice and set up a good atmosphere but was aggravated how the pews creaked so much. Wichem played songs including four movements from Romeo and Juliet by Sergei Prokofiev. I thought some of the songs were good, but I just couldn’t connect to the music. I could see people all around me nodding off and being disinterested. The saxophonist played songs including Balafon by Christian Lauba and I Never Saw Another Butterfly by Pavel Friedman. Unlike Wichem’s these songs were mesmerizing and everyone was intrigued by the music. I was amazed by his technique in Balafon in the way how he used overtoning to hit the really high notes, something that I have only been able to do for one note, and how he hit the pads so hard it truly felt like the percussion. His use of circular breathing really impressed me with how long he was able to play. In the Turkish songs at the end, I was impressed by his super-fast tonguing and just how much he enjoyed himself up there. I came in expecting the viola was going to be better but was pleasantly surprised with how much better the saxophone was. I felt truly validated by this guy because people had been giving flack for not being a true orchestra player but he took down the viola one-on-one.


Tuesday, Feb 28
Duke Music Department “The Music of Bill Robinson”

We researched Bill Robinson, and I had already read his bio – but he a really interesting guy. He a physics professor at NCSU and has had serious arthritis which ended his violin and piano playing. I was expecting different, contemporary yet palatable music for this concert. We all noticed in our program that the tempos were almost a joke (with Allegro con brouhaha and Adagio con queso). The first piece was amazing. I loved the way the melodies played off of each other and it wasn’t based around the normal harmonic chord progression. It toyed with my ideas of tension and release, but they were definitely there. It was also such an interesting combination with a piano, cello and clarinet. Then Bill Robinson talked about his generic music getting a generic response, and that for the first 20 years of his composing career he wasn’t writing for the musicians. When he found musician friends like Eric Prichard and others, and wrote music specifically for them, it really came alive. I found this to be interesting, and I will remember it as I continue to compose because music is really a community. The second piece was great. Eric Prichard was absolutely amazing! I really loved the 2nd and 3rd movements of that piece; they showed off his skill and range. Then the clarinet sextet played which had great sound and communication between these top-notch performers. I thought it was interesting that they restarted the piece for the recording, but the second time, I could really tell that the melodies fit together better. I loved the colors in the 3rd movement of the piece and the 4th movement had great purpose, sound and dissonance.


Wednesday, Feb 29
Duke University, Edgar Meyer Bass Masterclass

The first piece I listened to today, which was written by Edgar Meyer himself, has been the most ear-pleasing music I have heard so far. It was a welcome break from the contemporary/musically foreign (to me) music that I have experienced in the last two days. Edgar Meyer was simply amazing. He has the same passion for playing that he had in 1988 during the bass solo that we watched in the morning. It was inspiring to see him play with fire and love for his instrument. I was amazed at the ease with which he seemed to play. His technical skill was clearly on display, and yet he made it seem very easy. As for the first piece itself, which consisted of a quintet with two violins, a cello, a viola, and a bass, my favorite part was a repeating line between the first and second violins. The second violin repeated the first, and the result was a melody that sounded like it would go on forever. The second piece, which was the “Trio in B-Flat” by Franz Schubert, was of a bit less quality, in my opinion. There was a violinist, a cellist, and a pianist. Although I loved the beauty of the piece and the tone quality of the violinist, the cellist seemed a bit nervous. There were several difficult shifts that he had trouble reaching. Compared to the first piece, the sheer musicality of the second seemed subpar to me.
This was the first master class I have ever attended, and I enjoyed it a lot. I wasn’t sure of the music that was going to be played, but I enjoyed both pieces and hearing Edgar Meyer give advice to the players. I believe this has been my favorite evening trip so far.

and

Today, we went to Edgar Meyer’s master class. I expected for one bass student to perform a piece, and then Edgar Meyer would stop the student and give him or her suggestions. However, instead of one student, there were several students, none of which played the bass. Typically when people are warming up, I don’t pay attention to the musicians. However, they got my attention as soon as they started playing, because the piece they were playing was so beautiful. At first I thought it was variations on some folk song, because folk songs are so pretty. But once I got the program, I saw that the piece of written by Edgar Meyer himself, and I immediately respected him even more. The best part about this evening was listening to the string quartet and Meyer play the piece without any stops. It was also really cool watching him play the bass, because I didn’t know it could do so many things! However, once he started to actually coach the players, it was more boring. It was hard to hear Meyer and the stopping and starting of the pieces lead to me losing interest. Despite losing interest after a while, I’m still glad I went and got to see one of the most amazing bassist in the world perform and coach.


Thursday, March 1
Wake Forest University “Imani Winds”

Due to the impressiveness of the youtube video that we watched in class, it was natural that I was extremely hyped for the Imani Winds concert. The pre-concert lecture was a great addition to the program because wind quintets are generally not typical groups and need to be introduced. The lecturer kept things interesting and gave a largely holistic presentation about the group. The pieces they played were Travesias Panamenas (Danilo Pérez), Wind Quintet, Op. 10 (Pavel Haas), Quintette en Forme de Choros (Heitor Villa-Lobos), Dance Mediterranea (Simon Shaheen), and Klezmer Dances (Traditional), as well as two original pieces (composed by members of the group) entitled Tzigane (Valerie Coleman) and Homage to Duke (Jeff Scott). I especially enjoyed the mid-concert explanations of all of the pieces. For instance, one that was commissioned for them, the Travesias Panamenas, had a rich history of the struggles of the Native Americans versus Europeans that related to the composer’s country, Panama, in a personal way. Music is all about a personal connection and communication, both which were booming in this concert. Musicians were exchanging glances all the time, even smiling at times; it was quite obvious that they enjoy what they do. A personal touch was added to the concert by including pieces composed by the group, and explaining the history of each piece also enhances this feeling. Overall, the concert was fantastic, well worth the $12 admission price, and a nice relief from modern music.

and

I really sort of had low expectations for this concert because I thought to myself “How in the world can they fill hours of interesting music with just 5 instruments?” The reason I was so skeptical was because I wasn’t really envisioning the different colors each instrument could produce, much less the overall color when those colors were combined. I absolutely loved the concert, and talking with them afterwards was just a blast. This is what Mini-term should be: a chance to do something you couldn’t normally do. Meeting a world-class wind ensemble was just that, and talking to them was just so wonderful.

NCSSM Fine Arts Series Kicks Off!

On Friday, October 23, 2009, the NCSSM Fine Arts Series kicked off for the current year. The evening was a great success. It started off with the opening of the Olivia Gatewood Art Exhibit in the NCSSM ETC. This exhibit is a magnificent collection of art by this North Carolina artist. She generously donated one of her images to serve as the "cover" for all 2009-2010 Fine Arts Series Events. We had a wonderful crowd for this and it was enjoyed by all. The exhibit will remain on display in the ETC through December 18. As part of the opening, the NCSSM Flute Quartet performed and they were magnificent.

This was also a great opprtunity for the public to see the wonderful exhibit of Optical Toys at NCSSM. You can learn more about this exhibit at the exhibit website.

Following the opening, the NCSSM Drama Board presented its first production of the year, Cyrano de Bergerac. The show was magnificent and the audience loved the production. Director Adam Sampieri had nothing but great things to say about the ensemble and their fabulous work in preparing for the show. Cyrano will run for 2 more shows. Tonight at 7:00 and Sunday, 10/25 at 3:00 PM.

The series could not have gotten off to a better start and we are so pleased that last nights events were so well attended. We hope to see one of you at future NCSSM Fine Arts Series Events!!

NCSSM Fine Arts Series Dates and Performances

Hi all! It is my pleasure to announce the 2009-2010 NCSSM Fine Arts Series Events. All performances are in the NCSSM Educational Technology Center located on Maryland Avenue in Durham, NC unless otherwise noted and, as always, are free of charge. We look forward to seeing you at one of our wonderful fine arts events!

NCSSM Fine Arts Series, 2009-2010

• Fall Drama Production, October 23-25,
7:00 pm shows on Friday and Saturday
3:00 pm show on Sunday,
featuring Art Exhibit Opening Friday, October 23, 6:00-8:00. Exhibit
runs from October 23-Nov 20

• Fall Orchestra Pops Concert, October 31, 3:00 PM

• Fall Wind Ensemble Concert, featuring Durham School of the Arts Music Department , November 1, 3:00

• Bach and Beyond: Redefining the Harpsichord, 3 Harpsichords, 2 Composers, 1 Unveiling , featuring Beverly Biggs, Elaine Funaro, and Rebecca Pechefsky, November 12, 7:30 pm

• Tejasvii Bharat: Indian Dance Masterclass and Recital with Nina Dash and NCSSM Dance Ensemble , December 5, 2009

• Winter Wind Ensemble Concert January 24, 2010, 3:00 PM

• Masterworks Concert, featuring NCSSM Orchestra and Chorale with Blacknall Church Choir
Featuring Missa Brevis in D major, Mozart K 194; Dona Nobis Pacem from the B Minor Mass, Bach; Tragic Overture, Brahms; and Iridium, Jack Stamp

February 6, NCSSM, 7:00 PM
February 7, 7:00 PM, Blacknall Church

• Winter Musical February 12-14, 2010
7:00 Show on Friday and Saturday
3:00 Show on Sunday

• Eastern Regional Orchestra, Feb 26-28, Concert: Feb 28, 3:00

• Spring Dance Recital, April 10, 2010, 3:00 pm

• NCSSM Jazz at Broad Street Café, April 10, 2010, 5:00 pm

• Pulsoptional – May 7-8

• Spring Choral/Vocal Department Mother's Day Recital, May 9, 3:00 PM
Featuring NCSSM Chorale and Voice Students

• Spring Drama Production: A Weekend of Shakespeare, May 14-16, 2010
7:00 Show on Friday and Saturday
3:00 Show on Sunday

• Art Exhibit Opening, Friday May 14, 6:00-8:00, ETC Lobby
Show runs – May 14-June 4

• NCSSM Annual Concerto Concert, May 16, 2010, 2:00

• Spring Wind Ensemble Concert, May 16, 2010, 4:30

NCSSM Fine Arts Weekend and Funding

Here at the North Carolina School of Science and Math, we are just finishing up our annual Fine Arts Weekend that is made possible by generous grants from the Mary Duke Biddle Foundation, The Embarq Corporation, and others. The event was a marvelous success on many levels.

On Saturday, renown jazz vibist, Jon Metzger (www.jonmetzger.com) presented a masterclass to area jazz students that was really enlightening and fun. Separk Music of Winston Salem was on hand with Jon's new method book and a variety of other jazz materials for the student to peruse while hey were there. Jon then gave a magnificent performance at NCSSM that evening along with his quartet which included Ed Paolantonio of UNC Jazz on keys, John Brown of Duke University on Bass, and Thomas Taylor of NC Central University on drums. They were simply magnificent. All that attended really had a wonderful musical treat on Saturday night. Jon's musical virtuosity and generous spirit shown through and everyone felt so good about the day. As part of the performance, the NCSSM Dance Ensemble, under the direction of Kathy Berberian performed with the quartet on two of the numbers. The results were really stunning and beautiful. The kids that participated in the master-class were invited on stage as well to perform with the band. It was a great night all around.

On Sunday, there were two wonderful performances at the school. First, the Dance Ensemble hosted a Community Dance Concert where dance groups from around the Triangle were invited to perform as part of a larger concert. It was really great. The artistry that was demonstrated was simply stunning. Kathy Berberian has really brought the NCSSM program to a new level and the dance community is certainly thriving at NCSSM as a result.

After the Dance Recital, the NCSSM Jazz Ensemble, under the direction of Phillip Riggs, performed at nearby restaurant, The Broad Street Cafe. The place was jammed on a Sunday afternoon for this performance and, again, the kids were terrific! All that attended had a great time, heard great music, and had a great meal. What more could you ask for?

On Monday evening, the Western Carolina Catamount Singers and Electronic Music Ensemble will be performed at the school and that performance was wonderful as well. The group did a variety of Motown classics and the audience really had a great time. Both the singers and instrumentalists were outstanding. It truly was a wonderful weekend of the Fine Arts at NCSSM.

All of these wonderful events are an important part of the overall Fine Arts Program at NCSSM and provide a wonderful opportunity for the school to open its doors to the greater Durham community. All of these events are presented free of change and we encourage families to bring their kids to these events to get them interested in the fine arts at a young age. This wonderful weekend is what arts education is all about. It isn't about ticket sales. It isn't about snobbery. It's not about knowing more than the next guy. Arts education is all about expression. We learn how to feel when we participate in the arts. The performers are able to express and feel regardless of their experience or age. The audience is given the opportunity to express and feel as well, again, regardless of their knowledge, background or age. The arts unifies us. The arts express our humanity. What better place to learn this than at the School of Science and Math?

We, at NCSSM, are deeply indebted to the Mary Duke Biddle Foundation, the Embarq Corporation, Kiwanis of Durham, Conn-Selmer Corperation, Musser Mallets, and Separk Music of Winston Salem for their contributions to this event. In these unstable economic times, no one can take financial contributions lightly. These organizations understand the importance of the arts in the lives of students and the community and have stepped up financially to allow us to bring these events to the public for free. We so appreciate their contribution and support.

All in all, it was a wonderful weekend of the arts at NCSSM and so many folks contributed to the success of the event. All that participated, from performers, to audience members, tech workers, choreographers, support staff, and others, come away from the weekend a little bit richer. Many thanks to all.