Showing posts with label Southeast Strings Festival. Show all posts
Showing posts with label Southeast Strings Festival. Show all posts

Wednesday, June 6, 2018

A. Seasons and Finding Fulfillment

In recent weeks I have been thinking a great deal the various seasons that we experience in a career. It seems to me, as I complete my 31st year as a teacher, I have experienced 3 significantly different seasons in terms of how I relate to students and how students relate to me.

The initial phase is the first 5-10 years. For this article, I will call this “young teacher.”  The middle 15-20 years will be referred to as the “Advancing Professional.”  Finally, the 20 year plus teacher will be referred to as the “Seasoned Pro.” The transitions between seasons can be difficult and certainly have been for me to some extent.  I have realized that we must be mindful of the seasons and our role that we serve for our students and for our teaching community in each of these seasons.  If we are not mindful and reflective of these seasons, things can become difficult for us.

About 18 months ago I developed a conference session for the University of North Carolina at Greensboro’s Southeast String Teachers Conference. The session was created at the request of my friend, Dr. Rebecca McLeod, and centered around the topic of finding career fulfillment as a string educator. I presented the session in January, 2017 and it was very well received by college students and seasoned professionals alike. The session presented 7 different models for looking at career fulfillment and encouraged colleagues to consider which model resonated with them in the most profound way. I found the various models in books on the topic, on social media, through light research, and even created a couple of the models myself based on my life and experience, coupled with conversations with colleagues.

In May 2018 I was invited to give a session at the Music and Arts Directors Clinics in Fredrick Maryland. I was asked to present to a mixed group of music educators including orchestra, band, choral, and general music teachers. After thinking about it for a while, I suggested the Career Fulfillment session as one that might resonate with my colleagues from a variety of disciplines. I spent a good deal of time revamping the session and updating it to match with my audience and current thinking. As part of the updating process, I began thinking about how we find our fulfillment in different ways as we move through different seasons of our career. This grew from the knowledge that the college students at UNCG responded equally enthusiastically to the content of the session as did teachers of 25 years or more. My guess was that the teachers at the Music and Arts Directors Clinics would be of a variety of ages.  This, coupled my own experience of the past few years and, frankly, struggling with some fulfillment issues, made the preparation process challenging and enlightening.  For a look at the session handout and the 7 models, click here.

One of the models which I developed is called “The Journey Begins.” In this model, I ask teachers to consider their sphere of influence as it relates to their students and their professional community (colleagues at work and beyond). I ask them to consider what their sphere of influence is or what they would like it to be during each of their career seasons.   In the weeks since giving the talk, it has become more and more apparent to me in my transition from “Advancing Professional” to “Seasoned Pro,” I have realized that I have not been reflective about differences in how students might relate to me how I need to be comfortable with my current sphere of influence and skill set.  This reflection is certainly an important facet of career fulfillment.  Here is an example of the potential discomfort and transition:  I am now the age of my student's parents or older.  Lets face it. Kids relate differently to their parents and their parents' peers than they do to younger adults.  My role is no  longer Mr. Laird the "cool (hopefully) young"  teacher.  I really do think that was once me.  But, that really can't be me any more.  Now I aspire to be the compassionate parental influence in my students' lives.  But, in my conversations with young teachers and advancing professionals, I may have the opportunity to share some of my experience and provide information, inspiration, or insights to their situation.  I have walked in their shoes and come out the other side.  My role and sphere of influence has changed and will continue to change.  We must be reflective to find peace in that transition.  (Otherwise we might even become dissatisfied or bitter.  Did you ever know a teacher in that situation?)

I have been privileged to spend the last 4 days with a small group (30 or so) of string educators from around the country at the Conn Selmer Institute.  Is part of our time together, I have had numerous conversations with pre-service teachers from many collegiate programs, young teachers, advancing professionals, and seasoned pro colleagues.  Many of those conversations centered around career, career advancement, time management, and overall fulfillment.  All of us, in one way or another, are chasing fulfillment though impact.  And all of us are in different seasons and phases of our careers and personal lives.  What a rich tapestry of conversation and ideas.

I encountered a pre-service teacher while at CSI who told me that he used to be an Environmental Science major and had changed recently to Music Education.  I asked how the change was going.  His response was that his life is now so much more fulfilling!  That  really moved me.  He, of course, had no idea who I was or that I was interested particularly in the concept of fulfillment. He was simply at the conference, soaking up all of the information he could from the expert faculty, and making connections with other folks that were interested in the same things ye was interested in.  He was seeking out the fulfillment that he was missing in his previous major.   I applaud him for chasing fulfillment and not reputation, money, or fame.  I assured him that with fulfillment in his sights as a goal, he couldn't go wrong!

What season are you in?  Have you been reflective about transitions from season to season?  Have you experienced any of the discomfort I describe?

My Dad spend over 25 yeas as a school superintendent and retired over 20 years ago.  I was telling my him about this line of thought a few weeks ago.  As part of the conversation he mentioned that it reminded him of some of the research he did on Maslow and Self Actualization as part of his dissertation in the early 1970's.  Come back to my blog in coming days part part 2 of this article where I take a look at Maslow's research and theories and attempt to superimpose them on this concept of career fulfillment.

Meanwhile, I wish you all fulfillment in your career and life as a music educator or in whatever you do!

Peace.
Scott

Monday, January 22, 2018

Immersive Experience

This past weekend was a busy one at the North Carolina School of Science and Math. We had a number of performances and the weekend finished up with the magnificent lecture by our current featured guest visual artist, Heather Gordon.

Heather Gordon is a magnificent, scholarly visual artist who's work centers around complex origami patterns based on a variety of data sets. Her lecture last night served to explain her current installation at NCSSM entitled "Elements." Her work centers around the concept of alchemy and features 4 large works which are made out of tape on two dimensional wall surfaces. They are titled, "Sun," "Moon," "Sulfur," and "Mercury." She explained the significance of these 4  "elements" as part of her lecture and went on to describe her creative process and the highly sophisticated mathematical equations that are required to complete this type of work.  The artwork is simply magnificent and inspires me every day when I walked into the building at the school. 

As part of her lecture, she introduced a couple of concepts that I can't stop thinking about today.  One is that "ideas + material =  transformation." The other is her commitment to what she referred to as "Immersive  Installation."  That is, that the consumer of her art is immersed in art. They are literally inside the art. This is achieved by creating an actual space that the consumer walks into. Obviously this requires large spaces and large artwork. The installation at ncssm is an example of this very thing. When viewing this exhibit, the consumer is literally in the middle of Sulphur, Mercury, Sun, and Moon.  The experience of being immersed in this exhibit is quite powerful. I was moved by her explanation and commitment to the immersive art experience.  (There is a great deal more to the implied metaphor here. I will stop short of explaining all of it now. But, if you are interested in it, there is much to learn about alchemy on the all powerful Google machine.)

Stay with me now as I draw a strong connection between these ideas and my experience of preparing for an orchestra performance and performing as part of an orchestra.

This past weekend, my Orchestra performed Mozart's "Jupiter" Symphony, No. 41. As we came to the end of the final movement, I found myself disappointed that the process was over. My students had been immersed in and in preparation for this performance for the past 3 months. To see it come to an end is certainly part of the process. Albeit, a somewhat melancholy aspect of the process.

As part of her lecture, Heather talked about the process of taking down her installations. She pulls this copious amount of tape off the walls of the exhibit space. Someone asked her what that process of tearing down the exhibit is like. Her response was,  "Well, at the end I have a big ball of tape." And that too is part of the artwork. It's part of the immersive experience.

This is not unlike the final release of the final note of a great musical work. In the end we have our memory of the experience. We have a "huge ball of tape," one that will last and stay with us forever in our memory and in our heart.

Another event of the past weekend was the University of North Carolina at Greensboro Southeast Honors String Festival. My youngest son, who is 15, participated in the ensemble as a string bassist. Now, it is important to know that his primary passion is not the string bass. Nor is it orchestra music. His primary passion is baseball. Given the opportunity to choose to do anything with his day, he would prefer to be on the baseball field. I love that about him. He is passionate about his sport and all of his activities. But, this weekend he was a bassist in a wonderful Honors Orchestra conducted by my dear friend Alex Jimenez from Florida State University. The concert was magnificent. They played works by Hovhaness, Kirk Mosier, and C. Armstrong Gibbs. On our way home from the performance, I was able to articulate to my son how important it is that he participate in this kind of activity. He, in fact, had the opportunity to be immersed in an artistic work. As a bassist he was part of the ensemble that created this incredibly beautiful sound. Sometimes that is lost on our students. The aesthetic opportunity to be immersed in a large ensemble making beautiful sounds is rare. Not everyone gets the opportunity to do this. I'm so happy that he has been exposed to these ideas and the materials and has this opportunity for transformation.  He will be a more complete human (husband, father, partner, teammate, friend) for having experienced this.

Which brings me back to that phrase, "Ideas + Materials = Transformation." Many of you know that I've been involved in KidzNotes, an El Sistema USA program in Durham, NC. This is a classic example of this concept of ideas plus materials equal transformation. Through the generous support of individual donors, kids notes provides both the materials and the ideas for underserved children in the area to be transformed. We have seen over and over that families and individuals, through the infusion of classical music and opportunities to experience and create art, are transformed.

Teachers do this every day. I think of my many colleagues around the United States who are providing ideas and materials to so many students who would otherwise not have the opportunity to participate in ensemble music. They are all experiencing the immersive art of the orchestral experience on a daily basis. They don't always realize this rare opportunity in the moment. But, as they move on to various careers, cities, family obligations, and environments, they will look back on their school orchestral experience as a transformative time in their life. I have seen it time and time again.

So today, I share with you these two phrases: the concept of "Immersive Installations and "Ideas + Materials = Transformation." I encourage you to consider these today and never lose sight of the fact that we are instruments of transformation in the lives of our students.

Peace.

Scott

Tuesday, January 17, 2017

Southeast String Conference 2017

Hi all!
This post is for all that are attending my session at the UNCG Southeast String Conference on Jan 21, 2017.
Thanks for coming to my session!  I have some links that you will find to be helpful.

Finding and Maintaining Fulfillment in your Career in String Education:





Finger Patterns as a Vehicle to Major Scales and Upper Positions





Saturday, January 23, 2016

Fulfillment Continued

It is Saturday, January 23, 2016, and I am sitting in my office at home thinking about the presentations I would have been giving at UNCG's Southeast String Festival and Conference had we not experienced this huge intersection with winter weather this weekend. Sadly, the conference was cancelled for this year and those of us that were slated to speak have been booked for the 2017 conference already. I look forward to that experience and to offering my session at that time. Meanwhile, I had solicited participation in my informal survey as part of my preparation for that talk. I promised that I would provide some information here regarding the session following today's conference. That said, I want you all to know that I also hope to present this session in the future at an ASTA conference, and continue to develop it for presentations at NAfME and perhaps Midwest Clinic conferences if proposals are accepted. My colleague, NCSSM Music Instructor Philip Riggs, and I intend to develop this further and add a few twists to it for future presentations.

With that in mind, I will simply outline a little bit of what I put together for the session here, and give a more detailed look at the model that I have created on Finding Fulfillment in Your Career in String (music) Education . For the session, I have pulled together six different models of fulfillment from a variety of resources. One of those models was a Venn diagram that made its way around Facebook several months ago. Another is detailed in the book Outliers, by Malcolm Gladwell. Still another is outlined in the book, Crazy Busy, by Kevin DeYoung . Another is drawn from the CNBC hit series the Profit. Finally, there are two others that grow from a variety of personal perspectives: one that I call the Organizational Model and another that I call the Teacher/Artist/Performer Model.  The Teacher/Artist/Performer Model is the one that I can really take individual credit for. So, let me outline that model for you here.

My life, experience, and career in string education has certainly been an interesting journey. I definitely feel that I have had one of the most fulfilling experiences that I could possibly have had. I don't know that I set out to be fulfilled in the beginning. But, I do know that over the years I've made a number of decisions and developed a number of philosophies that have led me to be able to look back over the past 30 years with a sense of true fulfillment. When I began working on this session, I sat down and thought about the areas of my professional and personal life that I find most fulfilling as a music educator. After all, if I feel fulfilled, perhaps there is a model here that I can share with others. I began jotting down various criteria of fulfillment that I have experienced. Over the ensuing weeks and months, I have tested this model out with my experience on a day in and day out basis. At this point I feel pretty confident that I can share the model that I've come up with as a sort-of personal story.

To set this model up just a little bit, I'd like to tell you a bit about my week last week. I came home on Friday night and said to my wife, “I just finished one of the most fulfilling weeks that I have ever had as a string educator.” How could that possibly be? It wasn't a particularly special week. There were no major performances. I wasn't given any awards. And, I really don't think there was any major recognition for me other than my own recognition that it was a great week. What could possibly have been involved?

On Monday I had taught my regular classes of two sections of Classical Piano and Guitar and my Recording Technology class. In each of these classes I felt like I was really connecting with students. They were meeting their personal goals and enjoying the interaction that we shared. As part of my Piano and Guitar class, I had encouraged students to consider the music theory assignments they were working on and apply the information to performance on their instruments. This became a catalyst for some wonderful conversation and interaction as well as some real “aha” moments. A number of the students thanked me for drawing their attention to this concept and I really appreciated their remarks. In my recording class, we were working on creative recording projects and there was a good spirit of energy in the room as kids prepared for this exciting assignment and sharing it with their classmates. On Tuesday, we had another round of Piano and Guitar with similar results and an evening orchestra rehearsal focusing on Dvorak’s Symphony No 8, 4th movement. everyone was in seats early for rehearsal , participated fully, and at the end of the evening we were ready for our performance scheduled for the following Monday, Martin Luther King Jr. Day. On Wednesday in rehearsal, I took some time to tell the students about this session that I was preparing and their reactions were very favorable. Then, I invited a student who had attended a master class the evening before, missing rehearsal, to share what he had learned with the rest of the class. This was a springboard to a wonderful conversation about the Alexander Technique and how many of the topics covered intersected with concept I had outlined in orchestra in the previous months. This again made for an amazing class. Finally, I shared this session with my colleague, Adam Sampieri, Drama Instructor at my school and he really affirmed my work.  We had a deep and meaningful discussion as a result to end to the day. Thursday was similar to Tuesday in Classical Piano and Guitar. My recording students presented their projects to the class and were involved in a really cool self-assessment activity. Then, after school I attended a teacher award ceremony and celebrated the accomplishments of several distinguished colleagues at NCSSM.  Following that, I was involved in a strategic planning meeting where we had an invigorating discussion about real world experiences and the future of our institution. Friday brought another wonderful orchestra rehearsal and some opportunities for me to finish up some paperwork in my office and reconnect with a colleague who had been out the previous week.  I also moved a ton of furniture and prepared for a variety of events that were scheduled that weekend in our facility.  I also heard several individual students play their regional orchestra audition piece for me prior to their upcoming audition on Saturday.  Incidentally, I spent all day Saturday at Regional Orchestra Auditions as did many of my colleagues.  There were many great collegial conversations and reconnections throughout the day.  I came home on Saturday evening exhausted but invigorated from a very fulfilling week of work.

As I reflected on my week, I realized that my week had encompassed all of the criteria in the model that I had created and had been sharing with students and colleagues. What an amazing revelation. I was living my model. So, what is involved in the teacher artist performer model of career fulfillment?   Fulfillment in this model is based on the following criteria:

•             Individual Relationships (with students)
•             Ensemble satisfaction (Team climate)
•             Ensemble satisfaction (Performance Caliber)
•             Professional Growth
•             Personal Artistic Satisfaction
•             Professional Relationships

Each of these criteria had been met during my week. My interaction with and relationships with individual students had been off the charts. I have built my Classical Piano and Guitar class in such a way that individual relationships are the foundation of the class. And, I realized many years ago that at my institution, individual relationships really have to come first. I was completely satisfied with the climate in my ensemble throughout the week. We had productive rehearsals, students were invested, and there was a real satisfaction in this for me. Also, the performance caliber of my ensemble was wonderful. I love the repertoire that we are working on and I believe the students do as well. I had numerous opportunities for professional growth, including working on this session. I felt really good about the work I was doing and the things I was learning, and how I can apply them to my classroom. While I didn't have any violin performances during the week, I was finding strong artistic satisfaction in my conducting throughout the week and knew that there would be conducting opportunity on Monday, right around the corner. Finally, through discussions, regional orchestra auditions, and celebrations, my professional relationships with colleagues were extraordinary throughout the week.  I felt fulfilled.  My model held up. 

In the days following the week, I had several conversations with other colleagues about their level of fulfillment. It is been interesting to learn that I can pinpoint each of these criteria after talking with a fulfilled colleague. I can also pinpoint the criteria that are missing in a colleague's experience if they are less than fulfilled. How about you? How do these criteria resonate with you? Or, is there another criterion that I have missed? Think of your most fulfilling day, week or year of work. Have you met each of these criteria? Think of your least fulfilling day, week, or year of work. Which of these criteria was missing? Can you work to enhance that which is least fully met?  I do believe that I have built a career on this factors, albeit unknowingly.  These are the things that I care about on a daily basis and have pursued. (Obviously there are others, but these jump out.)

I value your reaction. Please don't hesitate to leave a comment. And, I wish you all a fulfilling day, week, year, career. I hope to see you at a conference in the future!

Peace.

Scott


Friday, January 7, 2011

NC String Teachers: Southeastern Strings Conference


String teachers in the NC area:
January 21 is a state-wide in-service day for teachers. Please consider attending the Southeastern Strings Conference at the University of North Carolina at Greensboro. I will be giving a session on electric bowed strings and there will be many fine sessions throughout the day. During my session, we will have an ensemble of NS Design instruments set up for attendees to try. We will provide charts for the ensemble and we will simply all experience playing in an electric string ensemble. I will explain panning and the use of a PA system, monitors, and basic EFX processing. We will have an NXT Bass and Cello, a CR violin and viola, the new 5 string Wav, and many other NS Instruments for you to try out as an ensemble. It will be a blast! It is not too late to register.

Pre-Register by phone: call 1-800-999-2869 and have your Visa or MasterCard ready.
Conference Fee & NC Renewal Credit Verification of Attendance

There is a $40.00 fee for all instructors attending the String Teachers Conference. This fee will cover all instruction, handouts, clinician expenses, and refreshments. You may be able to obtain one unit of North Carolina Certificate Renewal Credit by attending this event. Please Pre-Register by mail or by telephone. To Pre-Register by phone, simply call us toll-free at 1-800-999-2869 and have your Visa or MasterCard ready. (Please Pre-Register!!) The on-site registration fee on Thursday evening, January 20, will be $50.00.



Here is a list of events.
Southeast String Festival Teachers Conference

Master Class, Dimitry Sitkovetski
New Music Reading Session, Lynne Latham, Latham Music, a Lorenz Company
Electric Strings, Scott Laird
Jazz Clinic for String Educators, Steve Haines
Upper String Pedagogy, Marjorie Bagley, Fabian Lopez, Scott Rawls
Old Time Ensemble Music, Revell Carr and Gavin Douglas
Lower String Pedagogy, Craig Brown and Alex Ezerman
Achieving an Artistic Vibrato in the String Class, Rebecca B. MacLeod
Incorporating Students With Disabilities In Your Orchestra Classroom, Jennifer Stewart Walter
String Instrument Repair, Melody Choplin

Thursday
Time Session Location
7:45 Introductions School of Music Recital Hall
8:15-9:30 Reading Session sponsored by School of Music Recital Hall
Latham Music, a Lorenz Company
9:30 Refreshments, student rehearsal ends Recital Hall Atrium

Friday
9:00-9:50 Electric Strings, Scott Laird EUC Auditorium
10:00-10:50 Jazz Strings, Steve Haines EUC Auditorium
11:10-12:10 Violin Pedagogy EUC Auditorium
Marjory Bagley and Fabian Lopez
12:10-1:15 Lunch
1:15-2:15 Viola and Cello Pedagogy EUC Auditorium
Scott Rawls and Alex Ezerman
2:15 Walk to Aycock Auditorium
2:30-3:20 Old Time Music Aycock Auditorium
Gavin Douglas and Revell Carr
3:30-4:20 Artistic Vibrato, Rebecca MacLeod Aycock Lower Level
4:30-5:00 McIver Quartet Performance Aycock Auditorium
5:00-6:00 Dinner
6:00-7:00 Observe Rehearsal Aycock Auditorium
7:30 GSO Chamber Concert School of Music Recital Hall

Saturday
9:00-9:50 Students with Disabilities, Jennifer Walter Aycock Lower Level
10:00-10:50 String Repair Lab, Melody Choplin Aycock Lower Level
11:00-12:00 Dimitry Sitkovetski Aycock Auditorium
12:00 Lunch
1:30 Dress Rehearsal Aycock Auditorium
2:30 Concert Aycock Auditorium