Showing posts with label Mendelssohn. Show all posts
Showing posts with label Mendelssohn. Show all posts

Tuesday, June 27, 2017

When Expectations are Exceeded

Isn't it a great feeling when you walk into a project expecting one thing and your expectations are completely exceeded?!

Well, this happened to me today. You see, today was the second day of rehearsals for the Intermediate Concert Orchestra at Interlochen Summer Arts Camp. Yesterday, our first rehearsal was fine. I met the students and we sight-read two of the pieces that I selected for the first concert. The kids did great. I always like to start with music that isn't too difficult for students on this age: something that everyone can read or at least feel confident that they can prepare in the course of the week. Going too difficult too fast can be demoralizing for some students and I wanted to make sure that everyone knew that there was a place for them in this ensemble. They took in all of the information that was given and worked very hard through a two-hour morning rehearsal. I walked away from the rehearsal feeling very good about those two pieces, but I was a little concerned that another piece I selected would be too hard for them.

Today, for the first hour of rehearsal, I had the pleasure of welcoming my faculty colleagues that will be running sectional rehearsals into my my large group rehearsal. They are magnificent professionals from all around the United States, most of whom I have worked with on numerous occasions previously. When they come to this rehearsal early in camp, I simply have them sit in the first chair position of each section and play along with the ensemble, occasionally demonstrating or remarking on various parts in the repertoire. Today was no different. We started with the two pieces that we had worked on yesterday. I had assigned these pieces to the students to practice overnight. The kids did a great job and the run-through with the faculty went great. After these were done I decided to read the more difficult work. This is Mendelssohn's Sinfonia 2 in D Major. The Mendelssohn Sinfonias are wonderful works for string orchestra that Felix Mendelssohn composed during his teenage years. But, don't be fooled. They can be quite difficult to pull off in a student orchestral setting.
To my pleasant surprise, the first read-through of the first movement went very well. I decided next to simply run it a second time with the faculty members again leading each section. We did so and then, to end the first hour of rehearsal, I had the faculty members perform the first part of the first movement for the kids. I wanted the students to hear and see all of the best practices that these magnificent colleagues would demonstrate to end that portion of rehearsal. I couldn't help but to smile as they demonstrated such beautiful ensemble and individual musicianship. It was a great example for the kids.

We took our break, said goodbye to my faculty colleagues, and I decided that we would spend the next hour wood-shedding the Mendelssohn. As I often do, I spent the second hour of rehearsal with my instrument in hand, demonstrating parts and helping the students get an early feel for the style and technical demands of the work of the work.

The second hour of rehearsal flew by and by the time we finished, we had framed out the exposition and had begun the slow process of learning the development. Much was accomplished and the benefit of having my colleagues in the first hour of rehearsal was certainly palpable.
We finished out our final portion of rehearsal reviewing the two pieces that we had begun the day before. Everybody left with a huge smile on their face and I believe that the students felt proud of their accomplishments. I know I was very pleased. My expectations has certainly been exceeded. I really didn't think that the Mendelssohn would be within our reach after the first rehearsal. That said, the students dug in and really impressed me today. Now, I am considering doing more than just the first movement. I challenged the students to come back tomorrow with the first movement under their fingers. I told them that if they did so, I would consider starting the second movement as well. Wouldn't it be great if we could perform all three movements by the end of the three-week camp!

And so it goes. Sometimes our expectations are exceeded. It's the greatest feeling. Isn't it? And in many ways, that's what happens here in Interlochen. Students are challenged and they rise to the occasion.

What surprises will be in store for me tomorrow?  I wonder!


Peace.

Scott

Wednesday, July 22, 2015

ICO Concert No 3 Repertoire

I met my new ensemble yesterday for the first time and can't wait to get started working on the repertoire that I have selected for the 3rd Intermediate Concert Orchestra performance of the Summer 2015 season at Interlochen.  It is a great group of kids and there are many returning musicians from previous summers.  Also, my son, Cael is a member of the bass section, so that is a new experience for both of us and I know that will make the second three week session even more memorable.  

We sight read most of the music in the folders yesterday and I was really pleased with the level of the ensemble. Today we will be really digging into the repertoire.  Here are some notes on the works we will be preparing for the first concert on Wednesday, July 29, 2015.

Keystone, Silva

This is a new work, published by Kjos in 2014, that I discovered at a new music reading session that JS Pepper sponsored for the NC Chapter of ASTA last November.   Alan silva has a really impressive resume that includes feature films, television shows, Disney, and even the rock band, KISS.   This piece is in A minor and has a really cool 3-3-2 rhythmic structure. It features driving rhythms and beautiful elongated soaring melodies.  This is an interesting and exciting work and will be perfect for this orchestra.  the minute I heard it in November, I knew it would be on my repertoire list for this summer.

Aspire, Phillips

Sub-titled "A Dream Fulfilled," this  work was  commissioned by the Elizabeth Ruthruff Wilson Foundation and dedicated to Theresa Powers, the students of the Tecumseh School Orchestras, and their directors Amy Marr and Michael Bough.  It is published by Highland Etling and Alfred Music. I discovered this piece while working with the Providence HS (Charlotte NC) Orchestras and their director, Sara Russell last fall.  This is a lush and beautiful piece that features a constantly shifting time signature with a common quarter value pulse. The piece starts in D major and shifts to E major at the end.  This piece offers numerous opportunities for each section of the string orchestra to shine and features 3rd and 4th positions for the violas and celli.  Basses get a lovely counter melody in the middle and violins soar into upper positions throughout.  This piece is listed as a grade 3, but there are ample opportunities for musicians of all levels to stretch their expressive muscles.

Concert Piece No 2, Mendelssohn, Opus 114

This work is scored for clarinet, bassoon, and string orchestra accompaniment and will feature my Interlochen colleagues Doug Spaniol (bassoon) and Sandy Jackson (clarinet) with ICO.  I  heard them perform this with piano accompaniment last summer and we began discussing the possibility of doing it with string orchestra this summer.  I am particularly excited to do this,  because Sandy's daughter, Sophia, is a cellist in the orchestra this summer.  (Incidentally, with my son, Sandy's daughter, and Maria Silver, daughter of Interlochen Clarinet Faculty Member, Dan Silver in the orchestra, we really have a neat community of Interlochen folks in the ensemble!!)  We will more than likely, only perform Mvt 3, a light Allegretto Grazioso in F major.

Folk Tune and Fiddle Dance, Fletcher

Finally, one of my favorites is Percy Fletcher's well-known string orchestra work, Folk tune and Fiddle Dance. The Folk Tune begins in E minor 6/8 time with a lovely tune that longs for the sea. The movement shifts between time signatures, key signatures, and feels, only to return to the opening tune in a wistful manner at the end.  The Fiddle Dance in G major is a good old fashioned hoe down that drives throughout.  In ABA form, this movement that features the violas and celli prominently is perfect concert-ender.  I first discovered this piece in the mid 1980's shortly after graduating from college and have used it consistently ever since that time.  

So, that is what we are looking at.   Perhaps one of these will be appropriate for your next program. 
All my best!

Peace.
Scott